Box Office: Thor, Loki and the Bad Moms Kick Off November

Box Office

Box Office: Thor and the Bad Moms Kick Off November

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Thor: Ragnarok continued Marvel’s insane box office track record with one of theirs — and November’s — biggest openings. Meanwhile, $100 million away are Mila Kunis and her naughty friends with A Bad Moms Christmas, which opened in the same ballpark as the original.

Thor 3 opened to an estimated $121.0 million, which is the 7th best opening for the Marvel franchise. Thor even came in just above Spider-Man: Homecoming ($117.0m). Imagine the looks you’ll get in Tobey Maguire’s days if you said a Thor movie would open above Spidey. Now imagine a few months ago if you said the R-rated clown movie would beat both.

Ragnarok’s success proves the Marvel brand is miraculously still growing. Thor 3’s opening is about 41% greater than Thor 2 from 2013. In that time, Thor was only seen in Avengers: Age of Ultron, but that movie grossed over $1.4 billion in 2015. Marvel gets another joy today, since they’re apparently the first production studio to have three $100 million openings in one year, according to The Wrap. Guardians of the Galaxy 2 beat both with an opening of $146.5 million. Imagine the looks you’ll get…

The opening for Ragnarok is also 7th best for the month of November behind Hunger Games: Mockingjay – Part 1 ($121.8m). Add in foreign revenues and Thor: Ragnarok already has $427.0 million to its name. For the record, the original Thor tapped out at $449.3 million in 2011.

Ragnarok is currently the 16th highest-grossing movie of 2017. While next weekend is fine, thunder and lightning will hit Thor in two weeks when Justice League opens.

A Bad Moms Christmas came in behind Thor with an opening of $17.0 million. That may be 28% below the original, but that number should be softened a bit since the sequel opened on a Wednesday. And with a budget about as big as the opening, the $28 million Bad Moms 2 should come in the clear. Next week, Daddy’s Home 2 provides comedy competition and Murder on the Orient Express will attract some adult crowds.

The rest of the box office was a slaughter as just about every holdover in the top ten dropped at least 40%.

Jigsaw took a 59.7% plunge from its opening weekend, which is one of the better holdovers for this series. The film’s $6.7 million outing this weekend puts the domestic total at $28.8 million. Only 2009’s Saw VI has performed this low for the series at the 10-day mark.

The new film costs $10 million and has grossed over $59.5 million when factoring in foreign markets. You wouldn’t greenlight a ninth one of these?

Boo 2! A Madea Halloween added $4.6 million in week three. The movie is pacing about 34% below its predecessor domestically, and has only pulled in a total of $43.3 million on a budget of $25 million. Meanwhile, Geostorm took in $3.0 million. The disaster of a disaster movie has now made $182.3 million towards its $120 million budget.

Thank You For Your Service served up $2.2 million in its second weekend. Its 40.8% drop is just about the best of the holdovers in the top ten, but there’s still limited attention for this movie with only $7.3 million total domestic. The Miles Teller drama from the writer of American Sniper cost $20 million. Teller’s other wide release, Only the Brave, is also faring poorly with a $1.9 million third weekend. The firefighter drama has grossed $16.4 million worldwide on a $38 million budget.

But where is Suburbicon, the Matt Damon thing from director George Clooney that opened last week? That thriller pulled in a $1.1 million second weekend for a 13th place finish. There is $5.0 million domestically so far for this one.

Next weekend sees the wide release of Paramount’s Daddy’s Home 2 and Fox’s Murder on the Orient Express.

All box office information is estimated as of Sunday night and comes courtesy of Box Office Mojo.

Petey is our resident movie buff who writes not only a variety of movie reviews but also keenly follows what's out on Blu-Ray each week. If you want to know something about a movie ask Petey, he's either seen it or know's about it. Petey is a very talented young writer who is very passionate about the movie industry and takes pride in covering the movies he chooses. You can always count on Petey's review as honest and as a guide for the feel of the movie.

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